By Victor Perard
This instructive publication provides first-class annotated line drawings of anatomical constitution for the start artist, explaining the topic in basic terms, determining components of the physique and demonstrating exercises throughout the author's sketches. Chapters conceal the human skeleton, head and neck, torso, arm, hand, leg, foot, and musculature. 179 black-and-white illustrations.
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Extra info for Anatomy and Drawing
The classes today have been turned into consumer target groups: the upper class elite, the middle class and the lower class have been replaced according to the diffusion model by innovators, early adopters, early majority, late majority and laggards. 105 The trickle down theory has been revised since because with time it became clear that fashion not born in haute couture houses but inﬂuenced by street culture also had an impact: “On the basis of these and other developments it seems perfectly reasonable to conclude that what we have now are multiple fashion systems in which fashion moves up, down and along from a variety of starting positions and in several directions, rather than a single system in which fashion only moves in one direction, “trickling down” from the elite to the majority.
According to Thorstein Veblen, the reasons for it are manifold. In his Theory of the Leisure Class, Veblen argued that the change of fashion is motivated by the upper class’s desire to display its social status through demonstrative wastefulness, a wastefulness that creates prestige. Fashion, in this context, is a good medium for such efforts. Another way to show wastefulness is the creation of new fashion trends. ”Having so explained the phenomenon of shifting fashions, the next thing is to make the explanation tally with everyday facts.
The artistic aspect of the design business was an important way of attracting more customers. Aesthetic research was undertaken in order to ﬁnd out how windows could be dressed properly. Since then books and magazines on window-dressing have disseminated new ideas and trends for a contemporary design. It is important to be aware of this aesthetic history because artistic discourse is still vehemently critical when speaking about show windows. Discussing show windows in relation to the inﬂuence from current art movements is perhaps a possibility, but we think this would be the wrong path in our present case.