Amphotos Guide to Digital Black and White Printing: by George Schaub

By George Schaub

•Shows photographers easy methods to use electronic printing ideas to create masterful black-and-white images
•Digital printing is changing the darkroom-everyone who shoots in black and white must be aware of those really expert techniques

Everybody's taking pictures in black and white-for weddings, for studio paintings, for photographs and family members images, and something that appears nice with a vintage, documentary type. electronic cameras enable you shoot in black and white, yet many photographers are suffering to create the pointy, crisp, undying glance of significant photographs during this medium. they wish Amphoto's consultant to electronic Black and White Printing. From new electronic how one can practice conventional darkroom concepts (such as publicity, burning and dodging, and spotlight regulate) to dealing with duotones, hue saturation, or even "hand coloring" effects...it's all the following, in black and white.

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Extra info for Amphotos Guide to Digital Black and White Printing: Techniques for Creating High Quality Prints

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BACKING UP LIGHTROOM CATALOGS Lightroom offers the ability to make a backup of a catalog file and test its integrity. Lightroom catalog backups are done when you exit the program; you should, at least occasionally, allow these backups to be performed. During a Lightroom backup, only the current Lightroom catalog is backed up—the image files are not copied. Lightroom backup settings are found in the Catalog Settings dialog box. When Lightroom asks if you want to do a backup, you can specify the location for the backup file (see Figure 1–6).

And by doing it, I mean not only creating backup copies, but actually going through the process of restoring from your backup to ensure that you know how to do it and (more importantly) that your backups are working. People accidentally lose important computer data every day. Usually it’s because of user error (deleting something unintentionally) but equipment failure is also common. In the digital photography workflow there’s absolutely no excuse to risk losing all your work. I can’t overemphasize the need for creating a practical system for backing up your work and updating your backups frequently.

This can include different operating systems; I have one installation running on a Mac laptop and one on a Windows desktop. ) 11 LIGHTROOM 5: STREAMLINING YOUR DIGITAL PHOTOGRAPHY PROCESS 01 ABOUT REVERSE GEOCODING The first time you open a new or upgraded catalog, you’ll see a message asking if it’s OK to enable reverse geocoding (see Figure 1–2). This is a privacy setting and is used for the Map module—it’s entirely optional. If you choose to enable it right away, the feature will be active the first time you switch the Map module.

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